Reconnecting with art, I felt an instant affinity for the printing press and the physical language of printmaking. Between 2022 and 2026, I explored diverse approaches—including linocut, intaglio, etching, and screen printing, as well as sun-based processes such as cyanotype on paper and textiles.

Moving away from mechanical reproduction and identical editions, my focus is centered on monoprints and experimental combinations, where each print is approached as an individual, one-of-a-kind piece.